Watching another video on movement i learned not only how a mix of costuming and physical theatre can be incredibly effective in making animalistic pieces but also more about the history of movement in plays. For example Geraldine Stephenson was one of the first movement directors in The York Mystery Plays. Also Litz Pisk looked at using real weight and the imagination when looking at movement in a scene. When creating and rehearsing a role this knowledge will enable me to use other techniques in physical theatre and view my work from different angles.
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